Comic Con Express – Bengaluru - 2012

Another year and another Express Event from Comic Con India. Our Pre-show coverage of the event in the Garden City.

Comic Con India – New Delhi - 2011

Get to know, more about India's first ever Comic-Con, how does it rate among the rest.

Chennai Book Fair - 2011

We catch up with the Annual Chennai Book Fair, and see what it has to offer for Comic fans.

Lion Comics Jumbo Special - XIII Collector's Edition

An inside look into a collection, touted as the biggest Comic Book released in India

Showing posts with label CineBook. Show all posts
Showing posts with label CineBook. Show all posts

Nov 28, 2008

CineBook - Blake & Mortimer #1-3 | 2008

West Land | Price: INR 250 | Color | Size: A4 | Laminated/HardCover

Finally, we have the much awaited review on the CineBook's Blake & Mortimer series here at Comicology, which was part of the batch of issues distributed in India by West Land, on July 2008.  It's another classic series from the Franco-Belgian comics era, a product of one of the famous European Comics visionary Edgar P. Jacobs.  It first appeared serialized in the Belgian comics magazine Tintin from 1946 (from the very first issue), and was subsequently published in book form by Lombard, due to its growing popularity.

It's story about two British men, Philip Mortimer, a Top Scientist; and Francis Blake, an Army officer, and follows their adventures through their science-fiction mixed detective investigations, even to an extent some historian legends, like the lost continent of Atlantis.  I wonder why the series wasn't named as Mortimer & Blake, as he is the main character in much of the adventures. Let's look at the background and earlier work of Edgar Jacobs, which formed a base for his famous Blake & Mortimer series, before we review the instalments from CineBook.

B&M 1: The Yellow "M"
ISBN: 978-1-905460-21-2

Black-Mortimer 01 Cover1
B&M 1: BackCover
Pages: 72 | Published: Jan 2007
Black-Mortimer 01 Cover2

Edgar P. Jacobs, was born in Brussels on March 30, 1904.  As per Jacobs he is known to have drawn from his early days of his childhood.  But, he actually made his entry in the arts through the Stage Dramas and Soap Opera's.  Despite spending much of his career on his first-choice, he never rose to a prominent role from filling up the extras.  So in 1940, he turned to his first-love full-time, by joining a magazine, and drawing for novels and tales.

The World War II gave Jacobs his first chance to draw for a famous comics script, in form of Flash Gordon, when the original American piece were banned by German forces in Belgium.  Eventhough, it lasted only for a couple of weeks, that gave him a base from which he could bring his inner urge to a proper shape, and he started working on his own take of Sci-Fi comic strip, Le Rayon U, heavily borrowing from the Flash Gordon script.

Edgar2
Edgar P. Jacobs

During the same time he was also working as a stage painter for Georges Prosper Remi's (known more famously for his creation TinTin under his ghost-name Hergé) TinTin adaptation into a play.  That paved the way for Remi to know about Jacob's works, and the two became good friends, which was instrumental in bringing Jacob's talents to a broader circle, when Remi hired him for recasting/restyling his earlier TinTin albums, like TinTin in the Cango, TinTin in America, etc.

Edgar Jacobs in TinTinEdgar P. Jacobs as Jacobini in
TinTin's Cigars of Pharaoh

The friendship between Remi and Jacobs grew so much, that Remi took the liberty to cast him under the fictional name of Jacobini in some of his TinTin albums, the famous being as a Mummified Egyptologist in Cigars of Pharaoh.

Due to his friendship with Remi, he was part of a team of writer and artists gathered together for a new TinTin magazine in 1946.

On his part, Jacobs wrote and drew his series Le secret de l’Espadon (The Secret of the Swordfish) for the first Tintin magazine, published on September 26, which was eventually the first series of Blake and Mortimer (B&M).

Because of its painstaking realism and plot-work, B&M was a worthy equivalent to the already established, Tintin series (which was created in 1926), from its start. But surprisingly, B&M proved more popular than the Tintin story that it accompanied and soon they were published as hardcover and softcover editions by publisher Lombard.

The success of the series, made Jacobs rethink his apprenticeship work with Hergé on his TinTin rework.  So, when Hergé declined his request to share the credit of TinTin publicly, Jacobs decided to concentrate full-time on B&M in 1947, and went on to produce eight big adventures until 1972, which all have become a classic collectors items. 

But the friendship between Hergé and Jacobs was not disturbed by this professional break-up, as they both shared respect to each others work and achievements.

Jacobs’ style and consistency, his plotting talent and his care in character-building vary greatly from one album to another.

TinTin-Mortimer
Classic TinTin Magazine Cover with B&M
Ligne Claire as exhibited in
Ligne Claire
"TinTin"
and
"Blake & Mortimer"
B&M 03

There are however many common threads between Hergé and Jacobs, such as the consistent use of Ligne claire (meaning Straight Line) drawing style, which was originally pioneered by Hergé.  Have a look at the example I picked up from TinTin and B&M, which clearly depicts the Ligne Claire at work.

It's a usage of straight line in the artwork with the same thickness, without any emphasize or shadowing on any work parts in a panel.  Style also uses strong colors, and a combination of cartoonish characters with realistic background details.

This style was heavily adopted by all the "Brussels school" artists, and that made them stand out from the other forms of artwork practiced by American and European genre.

It is a style, which is still being adopted by few artists across the globe, but not to an extent as it was utilized in 1950s, which adds a classic touch to the work of Jacobs and Hergé.


Let's come back to the Blake & Mortimer series released by CineBook with their distribution network in India in 2008.  There are 3 issues which are part of this pack, let's look at the synopsis of each of the titles, and their respective French Originals.  All these 3 issues were written and drawn by Edgar P. Jacobs himself.

1. The Yellow “M”:
(French Original: Album 6: La Marque Jaune, 1956)

A mysterious crime wave is sweeping London and nothing, from the Bank of England to the Crown Jewels, is safe. The identity of the criminal is unknown but Londoners are beginning to fear the symbol that is left at each crime scene, the Yellow “M”. Enters Philip Mortimer, and Blake to solve the mystery.

B&M 2: The Mystery of the Great Pyramid : Part 1
ISBN: 978-1-905460-37-3

Black-Mortimer 02 Cover1
B&M 2: BackCover
Pages: 56 | Published: Nov 2007

Black-Mortimer 02 Cover2

2. The Mystery of the Great Pyramid Vol.1:
(French Original: Album 4: Le Mystère de la Grande Pyramide, Tome 1, 1954)

Professor Mortimer, accompanied by the loyal Nasir, is in Cairo pursuing his study of Egyptology. With the assistance of his old friend, he deciphers some papyrus that was recently discovered.  His archaeological exploits soon turn out to be far more dangerous than he expected, as he calls on Captain Francis Blake for assistance but, as it turns out, Blake is the one truly in need of help.

3. The Mystery of the Great Pyramid Vol.2:
(French Original: Album 5: Le Mystère de la Grande Pyramide, Tome 2, 1955)

When news reaches him that Captain Blake has been assassinated by agents of Colonel Olrik at Athens Airport, Professor Mortimer vows to avenge his friend and sets out to discover the whereabouts of Olrik. Mortimer’s investigation leads him to the Great Pyramid where he begins to unravel the secrets of the Chamber of Horus, secrets that will lead him into the darkest depths of the Great Pyramid itself.

B&M 3: The Mystery of the Great Pyramid : Part 2 
ISBN: 978-1-905460-38-0

Black-Mortimer 03 Cover1
B&M 3: BackCover
Pages: 56 | Published: Jan 2008

Black-Mortimer 03 Cover2

However much I love the classic editions, Blake & Mortimer series were too slow for me, with far too much text interlaced between the artwork (one of the reasons why I took a long time to read and review this series from CineBook).

It seems to be the style of Jacobs to get his work in a style of novel, but that let's down the Comics medium which is known as a 'speaking art'.  Have a look at an example, which I picked up from the CineBook edition, The Mystery of the Great Pyramid.

The translators employed by CineBook for the English versions of B&M, should have had a real tough job to do, in working with all this text.

The famous Gilbert Gascard, (The creator of Ric Hochet, Reporter Johny for Tamil Comic Fans, and Chick Bill under the pseudonym Tibet), who served as an editor of TinTin magazine, shared the same feeling, which resulted in him taking years before reading E.P.Jacobs work in his own magazine.

But, with that said there is no denying the artwork and plots of Jacob is no lesser than any of the classics available at present.

B&M 02
An example of "Text" overshadowing the "Artwork" in B&M

CineBook have also released B&M 4: The Francis Blake Affair, in UK, which hasn't reached India yet. It's the 13th album in the series, and the first which was not written by Jacobs. I would be eager to read it when its available, to experience the new team which is handling the B&M series at present, which consists of one of my favorite writer Jean Van Hamme (XIII fame).

Edgar P. Jacobs passed away in 1987, and he was commemorated with a Sphinx on his cemetery tomb at Brussels, which is said to have a "collar beard", with a face looking lot similar to his famous character, Philip Mortimer, fittingly.

In 2004, the French and Belgian Post Offices worked together to dedicate stamps portraying Jacobs and his characters, which shows that along with him his characters were also immortalized.   For a complete list of work by Jacobs, visit this centenary memorial site, which is in French as with many other sites dedicated to Jacobs and his works, but we could still use the Google Translator, for exploring it.

Hope you enjoyed this post about the Blake and Mortimer, along with the author bio and background of the series.  If you want to experience the series, then grab the CineBook instalments, before they run out of stock.  It's worthy to be part of your classic collection, if you are a fan of them like me.

EdgarJacobs StampBlake-Mortimore Stamp   Jacobs & his characters: B & M
Immortalized on Stamps

Oct 27, 2008

CineBook – Thorgal #1-3 | 2008

Distributor in India: West Land | Price: INR 350 | Two-Volume Books | Color | Pages: 96 | Size: B5 | Laminated/HardCover

Well, I got behind on my comics reading, and couldn't complete Black & Mortimer series quite in time for a positive review before the long weekend.  Nevertheless, not to disappoint those visiting souls, I took up another great series for review, Thorgal from Cinebook.

Comics stalwarts would remember the Conan the Barbarian (or Conan the Cimmerian, as he is known also) from the Golden Age of American Comics.  We won't be overestimating, if we say that Conan series, single-handedly laid a platform for the sword-and-sorcery fantasy, and later revolutionized its form in a Comics base starting from 1970.  There were even a couple of Hollywood attempts to take the success, to the Silver Screen, an initiative propelled by the presence of Arnold Schwarzenegger in the lead role.  The popularity of Conan is bestowed by the fact that, there are still die-hard fans around the world for this hard-hitting Cimmerian, even when the world revolves around the Sci-Fi fantasy.

Thorgal 1: Child of the Stars
ISBN: 978-1-905460-23-6

Thorgal 01 c1
Thorgal 1: Aaricia (Vol.2)
Published: 2007

Thorgal 01 ic

There were numerous attempts made to cash-in on the popularity generated by Conan in the Comics format, by many writers and authors, but none were as successful as the Conan was.  But, little is known that in the same period, there was another Comics character from the famed Franco-Belgian genre, which was able to match upto to the popularity and adventures of Conan, and our topic of discussion, Thorgal.

Thorgal is a Belgian comic book series created with the blockbuster combination of writer Jean Van Hamme and the Polish graphic artist Grzegorz Rosiński.  Writer Jean Van Hamme is well-known to Southern Indian Fans, as he is the creator of the successful XIII franchise.  A series which is in plans to be published as a Collectors Item from Prakash Publishers,  who own the famous Tamil language Lion and Muthu Comics, being released in South India.

Jean Van Hamme

Jean Van Hamme

It originally started appearing in the TinTin Magazine, but was moved to hardcover volumes starting from 1980.  Since then the popularity of the series has prompted them to be translated into all the major languages in Europe. 

Thorgal series left no stone untouched, with its storylines uniting many legends into one, ranging from Norse Mythology, Atlantean Fantasy, and to an extent Science Fiction too.

Rosinski

Grzegorz Rosiński

Van Hamme is known for is intriguing plots, in his other works.  And that is shown in the way he has put Thorgal's origin and his hurdles growing-up.

Shankar's comment in the blog reminded me that I forgot to mention how the strange name Thorgal Aegirsson.  As per the plot (revealed in the Cinebook 1st album) he was named so by his adopted father, Leif Haraldson, as "Thor-gal Aegirs-son"; after Thor, the Norse God of Thunder (a prominant Marvel Comic Hero too), and Aegir, the ruler of the sea; because he considered Thorgal to be a gift from the Gods.

The punch-line of Thorgal Series 'The Gods Have Put a Man to the Test', is good enough to understand that he is different from his much famous compatriot, Conan. Unlike Conan, He is a guy who despises of wars, fist-fights, kingdom, or supremacy, and wants to settle down as a day-to-day family man, fueled by his unmatched love towards Aaricia.  The story quitely follows their adventures with us being reminded on this underlying family values, which Thorgal rates highly over any other.  The Artwork of Rosinski, is incredible, which adds all the more value to the Hamme's plot.  Have a look at the cover arts, as a testament to the fact. 

The successful combination, has so far published 29 Albums of Thorgal, with the last one in 2006.  So far, the entire volume put together has sold more than 13 million copies worldwide in all languages put to-gether.

Thorgal 2: The Three Elders of Aran
ISBN: 978-1-905460-31-1
Thorgal 02 c1
Thorgal 2: The Black Galley (Vol.2)
Published: 2007
Thorgal 02 ic

Coming back to the topic, Cinebook have brought this much acclaimed French series, to India in their English versions.  There are 3 Editions with this batch, with each one being a Two Volume Editions, which effectively means that they are 6 in total.  The way these volumes are bound are different from their original publication, as the Thorgal 1, in this series, actually encompasses the original volumes: 7:L'enfant des étoiles and 8:Alinoë;, released in 1984 and 1985 respectively.  The chief patron of Cinebook, Olivier Cadic, explains in an interview with CBO, that he purposefully suggested the change to the creators, as he felt that those individual albums, which briefs the childhood days of Thorgal and Aaricia, would serve as a good way to open up a series anew.

Thorgal 3: Beyond the Shadows
ISBN: 978-1-905460-45-8
Thorgal 03 c1
Thorgal 3: The Fall of Brek Zarith (Vol.2)
Published: 2007

Thorgal 03 ic

Likewise, Thorgal 2: encompasses Original Albums 3:Les Trois Vieillards du pays d'Aran (1981) and 4:La Galère Noire (1982); while Thorgal 3: consists of the Original Albums 5:Au-delà des Ombres and 6:La chute de Brek Zarith.  The Original Albums 1 & 2, which introduces us to the characters and location, have been left out from this venture, as Olivier feels that the Origins of Thorgal & Aaricia, are enough to fill-up the introduction rounds.

As to the present, Van Hamme has disowned himself from the Thorgal series.  But Rosinski has teamed up with Yves Sente (whom we will be discussing again when we review the Black & Mortimer series), to continue the Thorgal Saga.  So far they have released two editions, with this new team-up:

  • Album 30: Moi, Jolan - (I, Jolan) (2007) and
  • Album 31: Le bouclier de Thor - (The Shield of Thor) (2008)

in which the plot now hovers around Jolan, the son of Thorgal.  The new series  has so far garnered mixed reactions for the purists and followers of the Thorgal series. I am not going to provide a judgement on them, unless we have them on our hands.

Overall, I liked Thorgal series, as that introduced us to a world different from what we have witnessed in the sword-fighting medieval age described by other stories.  I always felt that no series could match-up to the Conan saga, but now I have been proven wrong

The next album of Thorgal, The Archers, is currently out on print from Cinebook in UK, but it is yet to reach India.  Cinebook have also announced two more two-volume-editions of Thorgal for 2009, showing their intention to continue with this successful series.

As a Bonus to this post, here are the back-covers of these 3 set Thorgal series, which has a small snippet about the supposed storyline, and a sneak preview of next title in the series.

Thorgal 01 c2Thorgal 02 c2Thorgal 03 c2

 

 

 

 

 

 

 

 

 

 

 

And before we wrap-up, for all the visitors from India and those of Indian Origin from other countries, wish you all a Happy Diwali.  For the others, its famously called as the "Festival of Lights", and for all proper reasons. Refer to the Wiki link to know more.

அன்பிற்கினிய தமிழ் வாசகர்களுக்கு, இனிய தீபாவளி நல்வாழ்த்துகள். இந்த பண்டிகையில் உங்கள் வீடுகளில் மகிழ்ச்சி பொங்கட்டும்; உங்களுடைய நெடு நாள் ஆசைகள் நிறைவேறட்டும்.

सब जनो को दिवाली के सुभ अवसर पर, मेरी आर्थिक सुब्काम्नाये |


Flash-Back: RANI COMICS - Tamil - #313 - 1 July 1997

Contrary to the popular opinion that Thorgal series was never printed in India before, I was just alerted by comikers, that it had indeed been printed in India as an one shot, by the erstwhile Comics publication Rani Comics (ராணி காமிக்ஸ்).  Luckily, I had a copy of this edition in my collection and this late-update is to compare it with the original version, released now by CineBook.

For the starters, Rani Comics was one of the famous Tamil Comics magazines in South India, from the house of Daily Thanthi (தின தந்தி).  It had a huge fan-following and had a marathon release for more than 3 decades. 

Though it revolutionized the art of Comics publishing in Tamil Language along with the fellow Super Heavyweights Muthu Comics & Lion Comics, many true comic lovers despised their strategy of editing the core artwork, and spoiling the plot, especially the post-Ramajayam period, as Editor of Rani Comics. Read more about them in our Rani Comics debut post here.

Rani Comics #313 Veera Siruvan
(வீர சிறுவன்) : Courageous Boy
Rani 313 Cover

This one-shot was released in July 1997 as Rani Comics #313, titled Veera Siruvan (வீர சிறுவன்) , which is an edited version of the Thorgal Album 1: Child of the Stars, listed in the main section.  The coverart is also inspired by the same Album.  And surprisingly he retains his original name, although eventually killing it by referring him as Thoragaal (தொரகால்).

The story revolves around the childhood of Thorgal, where he agrees to help the Dwarfs in their challenge with the Serpent King, to locate the Jewel made from a Metal that Doesn't Exist.  Due to Thorgal's secret origin of being a descendant from an alien race from the stars, he does carry an ornament from his ancestors which satisfies the Serpent Kings description.  Thorgal decides to travel to the Dwarf land accompanied by the Dwarf messenger, to gift his ornament and successfully evades the hurdle to claim his destiny.

Now, as is the tradition with Rani Comics, we get to see a lot of twists from the original storyline.  While briefing all them would be a big ask, I will try to keep it short with few prime examples.  To start with due to the size of Rani Comics (half the original), the one page artwork in the original, is actually briefed in 2 or 3 pages in the Rani Comics version, and the Original segregation of Child of Stars into three chapters is missing in the Rani Comics edition.  The story starts without a prologue about Vikings finding Thorgal as an infant.  Instead it is featured as a small snippet into the story when its framed as being told by Thorgal to the Dwarf Messenger.  This could be accepted by the fact that Tamil Comics is still new to a level, with the concept of Epilogue or Prologue may be a little hard to understand by one and all.

And as with the tradition of all Black & White prints, we get to lose the incredible artwork of Rosinski.  See an example from the scene where Dwarf Messenger talks to Thorgal in a Dark Night, with a camp fire.  While the original artwork shows that Thorgal is in picture, the Rani Comics version has completely made him a ghost in the dark.  A little effort from the local artist could have made it look better.  Take your own judgement below.

Original: Dwarf & Thorgal in Conversation
Thorgal 01 pg19
Rani Comics Adaptation of the same panels
Rani 313 pg17

The next up is close to the end of Chapter two, where the Serpent claims that he won the challenge, and is shocked to see the Messenger returning with the jewel.  Elsewhere, Thorgal dies in the battle with the Snake like monster.  But, in the Rani Comics adaptation, the Dwarf Lord himself briefs to the Serpent that the Jewel is here, and it is his portrayed as if that the Serpent in anger kills Thorgal, who actually hasn't reached the location yet (battling with the monster still on the way).  To top it all, in the Rani Comics, the immediate next panel after Thorgals death, is shown as the Dwarves celebrating their victory, while they just portrayed Thorgal being killed by the Serpent, and then they suddenly come to the realisation of him being missing.  Confusion to the core.  Have a look for yourself.

Original: Serpent being briefed on Stone discovery
Thorgal 01 pg30
Corresponding Rani Comics Panels - p56
Rani 313 pg56
Rani Comics - p57
Rani 313 pg57
Rani Comics - p58
Rani 313 pg58

But to top it all, Editor packs a surprise at the end.  In the Original, when Thorgal gets wounded by the Snake like monster, the Dwarf Messenger, sheds tears on his friends death.  But Goddess Frigg brings Thorgal back to life, and briefs that the tears which was shed on him would eventually be his biggest gift, as Tears of Love.  When Thorgal wakes up in his world, he is briefed by his friends that during his absence, one of the tribal leaders was blessed with a baby girl, who surprisingly had pearls in the shape of tears in her both clenched hands by birth.  Symbolic representation, that that is the gift to Thorgal from the Goddess for his courage, a girl who would later become his love for life, Aaricia.

But, we are into a great twist in the storyline, in typical Indian style, here the girl is indeed portrayed as the baby sister of Thorgal himself.  Oops, what a way to end a One shot story.  Editor A.M.Saami at work again.

Original: The Climax of Chapter 2
Thorgal 01 p32
Respective Panels in Rani Comics - p60
Rani 313 pg60
Rani Comics - p61
Rani 313 pg61

Since, this was indeed considered as one shot by Rani Comics Editor, he left out the 3rd Chapter of the Album where Thorgal travels to the sacred mountain to eventually meet his Grandfather, and comes to know of his origin.  Rani Comics adaptation, simply ends with Chapter two.

The idea of this comparison, is not to show Rani Comics under poor light, but only to create the awareness that how a good story could be spoilt in the hands of a wrong authorities. There may be people, who would still justify that Rani Comics was aimed at children, hence it was simplified for common understanding.  I don't buy in that concept, because that cannot be used as a yardstick for chopping of a storyline from its originality and changing it as per the wish of the editor.  They are quite a few publishers who buy-in this concept in India, the notable of them are Prakash Publishers from South India, publishers of the fabled Lion and Muthu Comics.

I hope you enjoyed this post, and as always, please do leave your comments in the section below.

Sep 28, 2008

CineBook - Childrens Category | 2007

Distributor in India: West Land | Price: INR 195 | Color | Pages: 50 | Size: A4 | Laminated/HardCover

Well it's long since we reviewed the last batch of CineBook editions released in India this year, as back-issue sale from the UK based CineBook.  Since we have a lot more issues to cover, I have gathered all the Children titles they released in this batch as a single post.  They are a bunch of unknown comic characters, we have never read or heard in India before.  The popularity of these titles also doesn't make them to be covered separately.  All the batch of comics are created in Belgium, and many of them are still being published with new titles every year.

First-up, is Ducoboo, famously termed as the 'King of Dunces', created by Zidrou and Godi in 1992.  The series follows the adventures of Ducoboo, and his mischief making acts.  It typically consists of assortment of small acts, which generally spans one or two pages.  The stories are hilariously portrayed, and Cinebook have come up with 2 volumes of Ducoboo.  Each volume depicts a full year in School with the last gag always ending up as portrayed in Summer Holidays.

When you browse through these books, you can identify that the header of each storyline will eventually be based on the plot of that particular act, depicted in few simple pictures.  That's the amount of detail Zidrou and Godi have concentrated on while making these comics.

Ducaboo 1: King of the Dunces
ISBN: 978-1-905460-15-1
Ducoboo 2: In the Corner
ISBN: 978-1-905460-26-7
Ducoboo 01 Ducoboo 02

Melusine is a story of kind-hearted young witch.  She is touted to be 119 years old, as explained in the first album.  The character and the plot was created by Clarke and Gilson in 1995.  The stories typically features short, and humorous comic strips based on the life of Melusine.  The plot sometimes seems heavily derived upon the Harry Potter series, as Melusine also studies at a Witches school.  Cinebook have released two volumes of Melusine with this batch.

Melusine 1: Hocus Pocus
ISBN: 978-1-905460-20-5
Melusine 2: Halloween
ISBN: 978-1-905460-34-2
Melusine 01 Melusine 02

Papyrus is a comic book series, written and illustrated by Lucien de Gieter.  It's about a young peasant in Ancient Egypt, called as Papyrus.  It was originally published in 1974 in the famous Spirou Magazine.  As the story takes place in Ancient Egypt, the users are taken down back in the history with the plots revolving around the famous landmarks, temples and monuments found from the original Egyptian Era.  Ramases Temple, Saqqara, the ancient Egyptian funeral complex, are all breathtakingly drawn with detailed structural explanations, while closely tying  them to the storyline of each album.  As could be construed, the Papyrus stories involves its fair share of Magics and Miracles.  Overall, a good historical comic series for children.   Again we have two volumes of Papyrus with this batch.

Papyrus 1: The Ramases' Revenge
ISBN: 978-1-905460-35-9
Papyrus 2: Imhotep's Transformation
ISBN: 978-1-905460-50-2
Papyrus 01 Papyrus 02

Yoko Tsuno is a comic book series created by Belgian writer Roger Leloup, an arden follower of Ligne Claire.  It was originally published in 1970, making it the oldest children comic series in this batch.  The story follows the adventures of Yoko Tsuno, a female electrical engineer of Japanese origin, accompanied by her friends.  They travel across the globe and even reach the outer space in this 24 volume series.  The highlight of the story is that they are based on technological concepts, with Robo Dragons, Time Travel and others; which were a thought way ahead during its initial years.  We have two volumes of Tsuno with this batch.

Yoko Tsuno 1: On the Edge of Life
ISBN: 978-1-905460-32-8
Yoko Tsuno 2: The Time Spiral
ISBN: 978-1-905460-43-4
Yoko Tsuno 01 Yoko Tsuno 02

Yakari is the most famous Children magazine character in this batch of Cinebook editions.  It is a series which was created in 1973 by Job and illustrated by Derib.  Yakari is a young Sioux Native American who has an unique ability to understand and speak animal language.  With this unique ability he meets many North American animals in his albums, by which the readers are introduced to the life and customs of these animals.  Yakari is so popular that it has so far been translated to 17 languages, from French.

Cinebook have brought 3 volumes of Yakari with this batch.  But they are not released in an order in India.  There are 5 volumes which were published by Cinebook, when these titles were available in India, but we have received only Issues 3, 4 and 5.  So, the collection is incomplete.  The series is translated in English by Erica Jeffrey for Cinebook.  She is known to Comicologists as a surprise visitor during our first Cinebook post's discussion thread.

Yakari 3: Yakari and the Beavers
ISBN: 978-1-905460-09-0
Yakari 4: Yakari and the Grizzly
ISBN: 978-1-905460-16-8
Yakari 03 Yakari 04

We also have an One volume release in this Children's batch, called Scared to Death, which is a new series created in 2000 by Mauricet & Vanholme.  The cover-art is spooky enough to foretell that the series revolves around the strange adventures of two adolescent friends, Robin and Max.  It touches upon all the fantasies, like Sorcery, Werewolves, Ghosts, etc. but somehow the storylines aren't gripping enough.  Maybe because the target audience is Children's again :).

Yakari 5: Yakari and the Stranger
ISBN: 978-1-905460-27-4
Scared to Death 1: The Vampire from the Marshes
ISBN: 978-1-905460-47-2
Yakari 05 Scared to Death 01

Well these titles may not be of the interest to many of us, but as a fan to the Franco-Belgian comics era, I wouldn't leave them up from my collection, when they are available right at our doorstep.

As always, do post your comments and let me know what you think of this different post category.  Next up on the Cinebook reviews, we would jump to the serious titles aimed for grown up audience.  Well, now we are talking.

 

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