Comic Con Express – Bengaluru - 2012

Another year and another Express Event from Comic Con India. Our Pre-show coverage of the event in the Garden City.

Comic Con India – New Delhi - 2011

Get to know, more about India's first ever Comic-Con, how does it rate among the rest.

Chennai Book Fair - 2011

We catch up with the Annual Chennai Book Fair, and see what it has to offer for Comic fans.

Lion Comics Jumbo Special - XIII Collector's Edition

An inside look into a collection, touted as the biggest Comic Book released in India

Showing posts with label British Genre. Show all posts
Showing posts with label British Genre. Show all posts

Feb 2, 2009

Thigil Comics #56 – The Thirteenth Floor | 1992

Thanks to all the Comicologists, who loved our special Republic Day post last week, covering Indian based comic characters from the stable of Tinkle.  I enjoyed every comment registered in the post, and my replies for the same could be found at the end of the post. To say the least, Jan 2009 was the best month for Comicology, second only to Aug 2007, when I started blogging regularly. It meant, that I had to sacrifice a lot of family ties in blogging about our passion through the month, which I am not planning to do so regularly.

But the number of visits and comments recorded last month, shows that the Comicologists are always appreciative on the effort put-forth, which makes me feel fulfilled. Thanks to all the passionate followers who choose to leave their relative and meaningful comment, to record their presence at Comicology. You are my source, keep me afloat.

Thigil Logo Moving on to this week, it is another attempt to rekindle the old memories, by bringing up erstwhile Tamil Comic series from the stable of Prakash Publishers (known for the long running Tamil Comics Lion & Muthu, in South India), Thigil Comics (திகில் காமிக்ஸ்).  It was the brainchild of Editor S.Vijayan, who originally intended it as a medium to publish Horror, and Creepy series (famous in the 80’s British Genre), targeted for mature audience. 

The Tamil series was introduced in the late 80’s, and it ran for a total of 60 issues, stretching till 1993.  Apart from the British Genre, it also touched based on the famed Franco-Belgian Genre, in the process introducing some famous comics characters to Tamil Comics fans like, Ric Hochet (as Reporter Johny), Batman, Bernard Prince, and XIII.

Even though, the series was more heavy on Thriller genre during its later run, the initial issues were full of Horror stories, and I should admit that I was at times scared to collect these issues in tender age, fearing the elders irate at home.  I managed to sneak some issues here and there, heavily during its last run, so I obviously missed out on many of these collectible issues.  Going by which, our first review of Thigil at Comicology, will be the creepy series ‘The Thirteenth Floor’, issued during its end-run.

13th-floorcover The Thirteenth Floor, was originally published in the British Horror Comics Scream! from Mar ‘84.  Unlike other comic characters which are largely in human form, the plot-hero of 13th Floor, is an indigenous Computer (Artificial Intelligence, AI, for computer geeks) named Max, which was deputed in the Maxwell Towers, to look after the residents of the tower block.  His Mainframe was located in the penthouse of the Towers, with an adjacent flat where its controller Jerry Knight resides.

As it is a common practice in high-rising buildings, Maxwell Towers also does not have a 13th floor (which is just numbered 14, after 12th), due to the superstition associated with the number 13.  But unknowingly to its controller Knight, Max had the ability to create a virtual reality in the form of Thirteenth Floor where he could lure anyone who threatened the good of his residents. 

Most of the times these troublesome goons are caught when they use the elevator, where Max creates a series of illusions mostly through hypnotism, bringing the innermost fears of those who are tested. 

While its intentions are mostly to correct the corrupt individual, there were instances when the mental tension, leads to forced heart-attacks resulting even in death.

Max IllusionMax defecting the Wrong-Doers with its Illusional 13th Floor

This often puts Max in question, with the local police finding it hard to disassociate the list of co-incidental deaths, with the crime scene often in and around Maxwell Tower’s Lift. To avoid such incidents, Max had hypnotically controlled an inmate named Bert, to do his works like moving people from lifts, or in some cases bringing some forcefully to it.  The entire series is told from the first person account, with Max being the narrator himself.  Despite its scary nature, 13th floor was indeed a fun strip, where there is no stopping to the imagination laced with humour all along, which made this one of the famous series ever published in Scream.  The series was continued in Eagle magazine, after Scream was acquired by them. 

There were a total of 15 episodes of 13th Floor, with each episodes spanning around 4 pages (A4 Size), with the end of an episode typically being carried over as the start of the next episode, thus keeping the users intrigued by following them passionately every week in Scream Magazine.  The Scream series is now a collector’s edition, drawing a high premium price at eBay.  I have a tendency to get a cold feet being in auctions, so it’s clearly not my forte.


Now let’s look at our Indian debut of Max, in Thigil Comics.

Thigil #56: Marma Mandalam (மர்ம மண்டலம்) – Jun ‘92 – INR 3 – Size: B6 – Pages: 68 – B/W – SoftCover

Thigil 56 c1Front Cover of Marma Mandalam

Max was officially unveiled to the Tamil Comics fans with Thigil issue #56, titled Marma Mandalam, which carried 9 of the original 15 episodes of The Thirteenth Floor series from Scream.

The series was largely edited panel by panel to fit it into the B6 size of Thigil, as the original was of an A4 Size.  Due to which, an episode which ran only 4 pages in its original form, was actually reproduced in 8 different pages, in Thigil.  Editor should be commended for his work on maintaining the story tempo, even after the heavy work which he had to do for restricting the content in a budgetary size (obviously since B6 was the most commercially successful size, due to the lessons learnt from Lion Comics' past success).

The initial pages introduces Max, as an obedient maintenance computer of the residential towers, as narrated in his own words.

His first act in protecting its inmates is shown when he steps in to protect a new tenant from the evil hands of Money Launderer.

He is eventually lured into the illusional 13th floor, where Max plays his own money game with him, in a Computer game of Maze, where he considers himself physically partaking as.  The emotional trauma, which the guy truly deserves, causes a seizure resulting in his death.  Editor’s remarkable translation is shown where he has replaced the texts from the original, with meaningful sentences, in line with the target language.  Look at the two scenes, to see the power of Mr.Vijayan’s translation, when compared to the original text.

Max expressing his love towards TenantsMax expressing his love towards Tenants

Scene 1: Mom says to the kid - “I’ll bet it can’t get you to wash behind your Ears”, while approaching the new building, jokingly points out that the powerful Max can’t do all the work.

Scene 2: The Computer Screen which displays - “Debt Collector” in the Original

The result is right in front of you to take the judgement.

Moms Fun with Kid Scene 1: Moms Fun with Kid Debt Collector in Tamil Scene 2: Debt Collector in Tamil

The other stories which could be found in this Thigil extravaganza,

  • Max confronts two road goons, who arrive chasing a inmate kid of Max Towers;
     
  • Max Teaches lesson to a troublesome paint can kid, for which he utilises the help of his hypnotized inmate Bret to bring the kid into the elevator;
    (The Cover art seems to have been drawn from one of the scenes in this story where the kid takes a nose-dive into the streets from the Maxell Towers, obviously in his mind not physically. As much, we agree to believe on that aspect, incredibly stunning artwork, implies otherwise. For the original, refer to end of the post)
     
  • Max decides to punish an arrogant Bailiff, sweetly translated in Tamil as Ameena (அமீனா), who tries to snap the livelihood of an aged couple.  The illusional punishment, he goes through in line with his profession, is a top-pick.
     
  • Finally, Max punishing an inmate family, which turns out to be a dacoit group.  The climax was little way too-much with brothers killing each other, but don’t say they that ‘What goes around, comes around’.

Again look at what the Trouble Kid is drawing on the outer walls of Maxwell Towers.  The original text was “Cheezy Was Here”, which finds it Tamil form as “சின்ன தம்பி வாழ்க”.  Mr.Vijayan at his best. A lesson to be learnt for the others who think that mere translation of text is enough to get a comics to the target market (as witnessed by the “Junoon-Tamil” used extensively in erstwhile Indrajal Comics Tamil version).

Episode 1, 2, 3, 4, 14, 6, 7, 4, 5, of the original episodes finds there place in this issue, in the listed order, due to Editors scissor work (or should we say Computer provess, as in modern way of editing).  Editor has also ensured that he takes out the panels from the original content in these episodes where a Police sergeant suspects Max’s involvement in all the incidents and probes it further, before getting fooled by the computer to think otherwise.

Bret HypnotizedThe Trouble-Kid with Paint Can
& Bret being Hypnotized by Max

Obviously, Editor would have had hard time editing this particular scenario, which was lazed inside 3 of those episodes, so he promptly cut them away to present the 9 episodes in a little jumbled order. But, a first time reader would not notice this editing work, as the story flows superbly right till the end.

Look at one of the end scenes, as it is typical in many episode’s end notes with Police arriving at the scene, and finding the laid bodies of mischief makes often in the lift.  Isn’t it typical like in our movies, where they arrive always at the end.

The Thirteenth Floor, was written by Ian Holland, which surprisingly is a pseudonym for not one but two writers, who worked on it in unison – Alan Grant and John Wagner, who are both known for their thriller works on 2000 AD Series.  The artist for the series was José Ortiz.

Since the size of the post has grown too big, let’s look at the Bio of these “Three Amigos” in our next Thirteenth Floor Comic post at Comicology (Oops, did I leak out a suspense in here?)

Police arrives at ScenePolice arrives at Scene, in the last story of the issue

This Max instalment of Thigil ends with Max re-iterating its stand that he only does these things, to protect its inmates, and to teach the guilty of their sin.  He agrees that there may be some unexpected deaths, but it was clearly not its intention.

Editor further, makes us all in waiting by announcing that there will be another instalment of Thirteenth Floor with Max returning for a different issue of Thigil very soon.  The message from Max also secretly indicates Editors note, saying “If possible, we will meet again”, which is not a text you find in the original version of the same.  Clearly, Editor knows how to add his charm in every bit of piece throughout an issue.

By now, you would have all understood that that eventual issue would be our next Thigil Comics review post soon at Comicology.

End Scene with PoliceThe End Scene with Editor claiming “More of Max”

Supplement StorySupplement Story: Doomcrest Palace and its mysterious inmates

That is not all, as typical to many Thigil issues, we also have a 8 page feature of Doomcrest Palace inmates receiving an audience from another wanderer who tries to impress the Master Hugo of the Palace, with his real-life story, for a bounty.  Does he succeed in that? you can find out by reading the story from Thigil #56.

By the way, could anyone help me by giving a reference to the Original of this series, which is often featured in the Thigil issues? Pls. mail or add your comment, if you do. 

Twilight Zone Dell No-43Overall it’s an issue, which certainly deserves its place in your collection, if you are a Tamil Comics fan, with a different taste.  Looking at the relative recent past this issue was released, I hope everyone do have this already in your cherished possession.  The English Originals can be found on BackfromDepths weblog, if you want to check out.  I initially refrained from providing this link at Comicology, as it may be against the copyright of the said content.  Anyways, we are only providing a link to another site, so there is no harm done.  So enjoy while the content lasts over there.

Before I close here is the a cover from Dell’s 1972 issue, which was the inspiration for this Thigil Comics venture. Mr. Vijayan does have the passion to link up cover arts from different genres to be based on the storyline. All Kudos to him.

And that brings us to the close of this first ever Thigil review at Comicology.  Hopefully, you would have found it useful and fun reading, just like I felt while working on it.  If so, why not leave your comments to let others know, for which you could use the Comment section below.

Wish you all a Happy Week ahead.  Have Fun & nJoY, while I will be back with another post shortly (about which you would have already had a Preview on the Updated Sidebar). Adios Amigos !.

Jan 4, 2009

Siruvar Malar – FlashBack | 1986

I bet all the Comicologists are really spending some quality time with the near and dear ones, in this holiday season.  In keeping with the same spirit, this is a New Year Surprise Post for all Comicologists.

So far the pattern adopted at Comicology has been to brief and review the new titles or issues released in India, with a detailed link-up to the previous titles related to the reviewed issue.  That has been the case so far with Lion Comics, Muthu Comics, CineBook, Euro Books, Gotham Comics, etc. reviewed so far, and will continue to find their presence in Comicology.  Just to make things interesting, and to break-away from any trend-set, this post will start my long planned “Flash Back Events”, where we will cover some famous Comics initiatives and series released in the past.

870109 Siruvar  Malar 00 Siruvar Malar (09-Jan-87)

First-up the order will be one of my most cherished collection from childhood, Siruvar Malar (சிறுவர் மலர்), a Children's magazine in Tamil (தமிழ்), which started it run in 1986 as a Free Weekly Supplement to the Tamil Newspaper (தமிழ் நாளிதழ்), Dina-Malar (தின மலர்) on Fridays

(My estimates say that the first edition was launched in Oct’86. Unfortunately, I don’t possess this 1st edition.  Any Comicologists, having the same could contact me through email to update this post with 1st edition cover.)

Dinamalar that time was considered as the 2nd most widely read Newspaper in the Southern Indian State, Tamil Nadu.  They earlier had huge success with an another Weekly, titled Vaaramalar (வார மலர்) released every Sunday, which was also provided for free.  Eventhough there were countless newspapers which tried to imitate this Free Weekly Supplements on different days, no one was able to emulate the success owned by Dinamalar.

So there was no surprises when they launched their second successful Weekly supplement in form on Siruvar Malar, this time to addressed to the younger audience, and children's.

This was the same time I grew up reading and dissecting anything with pictures in a magazine, (obviously inspired by the erstwhile Rani Comics introduced by my brother), and it was a not a surprise that I immediately fell in love with Siruvar Malar from the very first time.

There was a lot of carefully planned USP (Unique Selling Proposition) in Siruvar Malar to attract young minds, even though it was a free edition.  It had everything which a kid could dream of:

  • Comic Strips
  • Stories
  • Riddles
  • Competitions
Dinamalar claiming #2 Position
900202 Advt
Advt in Siruvar Malar (02-Feb-90)

The covers of Siruvar Malar initially carried foreign pictures, which was quickly changed to feature pictures from kids in Tamil Nadu, to make them touch-base with local crowd.  I still remember those days when every family wanted to send their kids picture for a possible cover feature in the future issues.  

They had tied up with the famous Northern Indian publisher, Uncle Pai inspired, Amar Chitra Katha (ACK) from Mumbai (formerly Bombay), to bring and introduce Tamil translated version of their wonderfully drawn and scripted storylines from Mythology, History, and Humour genre.  In fact, my first experiment with ACK was through this medium.

870403 Siruvar  Malar 00
Siruvar Malar (03-Apr-87)
870501 Siruvar  Malar 00
Siruvar Malar (01-May-87)
890310 Siruvar Malar 00
Siruvar Malar (10-Mar-89)

But there was also an another star attraction to Siruvar Malar in terms of Comic Strip, with their International licensing to bring Tamil translated version of some famous comic series.  Siruvar Malar was originally launched as a 16 page supplement.  But as per the readers demand it was quickly increased to double size, and that marked a new beginning, which let them to feature some international comic strips in their weekly.  Look at the announcement from the Editor on the same, and a preview of a list of Comic Series which were started with the double-sized issue debut.

Since, the erstwhile Indrajal Comics released by Times of India stable, was more famous and larger in size with their American Daily-Strips based issues featuring Phantom, Flash Gordon, Mandrake, etc., the team of Siruvar Malar kept their reliance on them to a little extent by featuring a single page occasionally for Mandrake and Flash Gordon in their Weekly. 

Instead they set their eyes on the some of the untouched Comic Series from the Golden Generation of British Comics.  Comicologists would take a note that famous Tamil language based Muthu Comics from Prakash Publishers thrived on this market for a long-time introducing to us some famous characters like Steel Claw, The Spider, and Archie etc.  But, their concentration was on a “Super Hero” devoted storyline, by means of which they could engage their publication by printing their series of adventures for a long time.

870403 Editor Note
Editor’s Note on the Double Size launch Siruvar Malar (01-May-87)

But, Golden Era of British Comics, was not only made up of Super Heroes.

There were some more one-off series, which were rich of script, artwork, with fair mix of creepy plots.  Comicologists would again remember that Thigil Comics, an sister publication of Lion/Muthu Comics publishers, tried publishing these series, but couldn’t do that successfully, as the brand was withdrawn with a short run.

891027 Siruvar  Malar 00
Siruvar Malar (02-Feb-90)
page001(11)
Siruvar Malar (27-Jun-08)
page001(37)
Siruvar Malar (26-Dec-08)

Siruvar Malar, was the first to touch-base on this one-off British Comic series by bringing them over to the Tamil Comics fans.  And these series will form the base for our initial reviews to be featured as part of the “Flash-Back Post Series” about Siruvar Malar at Comicology.

As a kid, I remember those days when I was eagerly anticipating every Friday, in order to read the Siruvar Malar, first-up.  There was a basic understanding among family members, that being the youngest, I would be the first to read the Siruvar Malar on Friday, while the eldest will have the rights for that honour with Vaara Malar on Sundays.  Those were days of utmost fun and lasting memories, and here is a chance for me to re-experience them.

First-up the order, in our series of Siruvar Malar review, is one of the most famous creepy and a lengthy series ever featured in Siruvar Malar, or in fact, any other Tamil comics magazines; Uyirai Thedi (உயிரை தேடி).  Ever since I read about a new BBC series starting in UK, called Survivor, at the BackfromDepth website, the original of which was an inspiration to this comic series, I had been thinking long and hard to collect the old Siruvar Malar archives to blog about the same.  Now, with the arrangements ready, we could talk about the series in detail with our coming FlashBack posts.  Till then here is a preview of what’s in store for you.  I am confident this is going to take you back in your memory lane, if you had actually read this series in Siruvar Malar back in those days.

Uyirai Thedi Preview

As an end note, Dinamalar still continues to hold onto his position among the growing competition in the Newspaper media, greatly strengthened by their subscription base.  They also have been continuously releasing their Siruvar Malar (a scene evident with the 2009 edition featured above), supplement along with Vaara Malar.  But the qualities which made the Original Siruvar Malar stand out from the rest, is now nowhere to be seen, as it is mostly occupied with local stories and artworks.  No wonder, they remain underground. 

But, it’s still a good gift for the children's.  Especially for those who miss out on these editions for whatever reasons, can browse through dinamalar.com, for downloading e-Books of past Siruvar Malar issues.  Dinamalar team has to be commended for making it available for free.

I hope you enjoyed reading this post, as much as I enjoyed writing it.  If so, why not share your views, reviews about this post using the Comment section below?  I would be eager to read them.  Until the next post, enjoy your holiday season.

UPDATE (03/09): The first part of Survival aka Uyirai Thedi is current available at Comicology, on this page.

Sep 25, 2008

Comics Classics #23 - Barracuda | Johny Nero | Sep '08

Prakash Publishers | Price: INR 10 | Total Pages: 244 (122+122) | B/W | Size: Pocket | Tamil | SoftCover

Prakash Publishers continue to amaze with regular monthly releases.  What we have this time around is the Comics Classics #23, which as usual carries two yesteryear blockbuster comics from the erstwhile Muthu Comics;

  1. Kaatril Karaintha Kappalgal (காற்றில் கரைந்த கப்பல்கள்) starring Code Name: Barracuda aka., CID Lawrence & David
        
  2. Moolai Thirudargal (மூளை திருடர்கள்) starring Johny Nero & Stella

Ardent fans will remember that this was originally advertised to be the Issue #22, last year.  I enthusiastically covered it as a Preview feature in this very blog, only to get outsmarted by Prakash Publishers who released another Instalment in place of that.  But as it turned out that actually worked out fine, as we now have two Comics Classics releases in the same year.

Comics Classics 23 c1
Story 1: Kaatril Karaintha Kappalgal
(காற்றில் கரைந்த கப்பல்கள்) | [Ships Which Disappeared]
Comics Classics 23 c2
Story 2: Moolai Thirudargal
(மூளை திருடர்கள்) | [Brain Thieves]

As far as the story review goes,

Kaatril Karaintha Kappalgal is an action packed storyline.  I only posses a modest collection of Muthu Comics's earlier editions, but remember reading this story in childhood when it was reprinted some years back.  It was one of the instrumental comics which grew my interest towards the style of Picture based storytelling (as it is known as an unique art form: the seamless integration of images and words)

The intellectual thinking of Lawrence and his quick paced action, with David giving him good company, is the highlight.  Suspense was spilled throughout the Storyline, with the ultimate being the Volcano Setup of the Terrorist group.  Back then as a Child, I used to imagine them to a scenario which is only matched in the Hollywood genre at this period. It certainly helped to grow a creative mind back then. Overall, one of the golden pieces of the British Comics era.

Moolai Thirudargal is a typical Johny Nero story, known for his globe-trotting free agent detective style.  I always liked the importance Stella gets in Nero storylines, which makes them an inseparable pair, yet maintaining the professional relationship between them.  European/British Comics stand out from the American genre in that aspect, which makes it right in parallel with the Asian culture. 

I still remember those initial James Bond issues of Rani Comics (another South Indian publisher of Tamil Comics, but defunct now), where they were printing the editions as it is from the Original, with Frontal exposures, and all.  I used to be scared those days, to maintain those comics as part of the collection fearing that my family would someday get a hand to that and may misconstrue that I am collecting the "so-so" type magazines too. 

Luckily, they realized the Indian culture, and later started to seal and mask the artwork, where necessary.  Lion/Muthu Comics publishers always have ensured this right from the start, and the reliance on European Comics (Franco-Belgian, British, Italian, etc.) which has a deep roots in quality comic art & plot work kept them in good stead too.

I always loved the foreword of Editor S.Vijayan, and he initially used to do it for the earlier Comics Classics editions, where he used to highlight and share the history behind the featured stories earlier publishing.  Unluckily, We don't see that feature in the recent editions.  So we only have to rely upon Comics stalwarts like Muthufan, to share the nostalgia behind these goldies.

As far the packaging goes, I don't have much to say. Eventhough, the Pocket edition helps in re-igniting the memory of past, it is not a great size by which you could enjoy the comics to the most. Editor Vijayan may argue that it is cost-effective and suitable for the price tag. But, I always believed the Comics Classics should follow the standards of the current Lion/Muthu in terms of cover and size (not the paper quality though :)). Because these are the ones which are expected to help a Collector in maintaining them over a long period. And since Comics Classics is expected to be a Collector's Edition, I don't think there are people who will object to have it priced in higher bracket for a better quality.

Those with prying eyes would be able to see a small damage to the second cover in the above scans.  That's due to the effort of yours truly, while trying to separate the cover from the inner papers which had got stuck accidentally with the package glue.  This is one another reason why you shouldn't use Paper Covers for Comics.  They should be seen as Books (like Westerners) and not Magazines (as they are mostly categorized in India).

At times when some Comics collectors (?!) use the old Lion/Muthu editions to sell them at a premium price nearing INR 1000 (and in some cases, more), and get a sizeable profit out of it; Prakash Publishers who hold the rights for these golden editions are short-sighted to bring those gems in a low quality editions continuously, and miss out on a potentially profitable venture. 

Hopefully, the first comic-enthusiastic of Tamil Comics Industry, Mr.Vijayan, will take a cue from it to improve the packaging for his releases.  Whatever said, there is no doubt that Vijayan has always been the Flagbearer of Tamil Comics Industry, in the past, Now, and in Future.  He should be commended for continuing in a business, where others come and go without a basic interest towards Comics in genre, or the commitment.

To end with, see a small stats for Comics Classics releases over the years right from its inception.  2007 was the only year when Comics Classics was blacked out completely without a single issue.  In total there are 23 issues so far.  A way behind from the original idea, of printing 3 every year.  But that as many know, has always been a throne found in the main brands Lion/Muthu Comics too.  Anyways, 2008 has set things anew, hoping for better years to come for Comics Classics editions.

Year # of Issues Year # of Issues
1999 2 2004 3
2000 4 2005 4
2001 4 2006 1
2002 2 2007 -
2003 1 2008 2

Comics Classics Release Stats
(from its Inception)

That brings us to the close of another Comics review at Comicology.  As usual, please leave your comments about this post and the Comics Classics editions on a whole, in the section below.

 

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